The sense in which design can operate at the level of conceptual art--defining parameters and systems instead of unique artefacts--motivated all of
this work.
In the end a very significant direction of this work lay in its articulation as program, as code—-or (often) in its ambition to be code.
The DVL engine, written with Daniel Sauter, constructs pages, posters, fliers of any dimension on the fly, according to the 7 column grid of the School of Art and Design.
Some of the potentially infinite set of abstract iterations cycle on the right.